Welcome back to the Weekend Watch where each week we take a look at a new piece of film or television media and give it a rating and review. This week’s topic, as voted by the blog’s Instagram followers, is Haunted Mansion, the latest of Disney’s films based on rides from their parks. This film is in no way related to the Eddie Murphy film from the early 2000s except in its inspiration coming from the same ride. The current film stars an ensemble cast of LaKeith Stanfield, Rosario Dawson, Owen Wilson, Tiffany Haddish, Danny DeVito, Jamie Lee Curtis, Chase Dillon, and Jared Leto. It focuses on Dawson’s Gabbie and her son Travis (Dillon) who have bought a new home outside of New Orleans with the goal of turning it into a bed and breakfast and have discovered that it is haunted, leading them to turn to a series of experts – a physicist, medium, historian, and priest played by Stanfield, Haddish, DeVito, and Wilson respectively – to rid themselves of their ghost problem. Let’s get into it.

Letter Grade: B-; this film isn’t “good” like last week’s slate of excellence, but it knows its lane and delivers a solid film for its genres and target audience.

Review:

                Haunted Mansion is every bit the Disney ride adaptation that we’ve come to expect, never quite hitting the highs of the first Pirates film, but delivering a quality blend of goofy effects, Easter eggs for the devoted fans, and light comedy in the midst of serious stakes. For me, I’d say this film outperforms the more recent ride adaptations – Jungle Cruise, Tomorrowland, The Country Bears, and The Haunted Mansion – thanks to better comedy, better acting, and a simpler story.

                The humor can be hit and miss, but for my wife and me, it was certainly more hit than miss – even if the rest of the audience didn’t quite seem as tickled by a lot of it. This can’t come as much of a surprise, considering writer Katie Dippold’s track record – writing such hits as Parks and Rec’s “Indianapolis” and “The Set Up” but also flops like Ghostbusters (2016) and Snatched. The jokes and characters all feel very trope-y in an endearing way that keeps the film familiar even if it’s not overly original. With a story that does a good job of establishing characters and connections, including a fun heist-esque montage of recruiting the various players, the film is at its best in the first two acts with a third act that rushes a bit to get the characters to a conclusion that only feels satisfying for one of its characters but leaves you happy enough with the outcome.

                The actors help to make their archetypes work well, introducing unique flairs to their characters to help them stand out against the familiarity. Dawson plays maybe the most familiar character in Gabbie, the unsuspecting homeowner and mother who gets caught up in a haunting. She plays her with the right amount of heart and backbone to hold the unlikely team together. Dillon’s Travis plays an interesting addition/sidekick to Gabbie’s character, struggling with his recent disconnection from his father (Gabbie’s husband). Dillon brings a lot of fun to the son character while still giving a deep enough performance to make his character arc interesting. Stanfield’s Ben Matthias has the most depth of the film’s players, struggling with an inner grief that he portrays in a surprisingly heartfelt and moving way for such an otherwise simple and comedic film. His acting far outweighs the rest of the cast for most of the film, but he manages to tone it down enough in the funny moments to get some laughs for himself as well. Wilson, Haddish, and DeVito deliver the most laughs of the film as the supporting cast, each with their own unique takes on the familiar character tropes. Wilson’s priest with a shady background, Father Kent, brings that familiar Owen Wilson squirrely charm to the typical unorthodox priest character. Haddish’s medium, Harriet, gets the most laugh-out-loud moments and lines in the film, coming across as a fraud with just a hint of authenticity, keeping the energy very light as we’ve come to expect from the skilled comedienne. DeVito’s historian, Bruce Davis, mostly exists to give some exposition, but he also gets some moments to be the funny, irreverent old man that DeVito so often embodies these days.

                With an ensemble cast that brings a solid blend of heart and humor to the familiar (and maybe a bit too rushed) story, plenty of nods to the ride that inspired it, and just enough mild and goofy horror moments, Haunted Mansion is a passable and fun time at the movies that won’t necessarily break any new ground in its genres but should please the crowd. It far outshines some of the more recent live action Disney outings, but it also won’t be making anyone’s top-10 family or horror or comedy films any time soon. Go in hoping for a lighthearted good time that won’t make you think too hard, and you won’t be disappointed.