Welcome back to the Weekend Watch where, each week, we take a look at a new piece of film or television media and give it a rating, review, and recommendation. This week, we’re looking back at the month of October and its many film releases. In these recaps, we highlight the films that have some chance at making it onto this blog’s list of Greatest Films of All Time in three different categories – long shots, possible things, and sure things. This past month, we started easing back into the awards season, getting a few films that will go down as truly great alongside some streaming sleeper hits and the classic October offerings of new horror releases. Let’s get into it.

Long Shots:

Wendell and Wild: Netflix’s stop-motion film from Henry Selick and Key and Peele had a lot of people excited going into October. Reviews since its release have been a bit underwhelming and its ratings are continuing to decline, but it’s worth keeping an eye on as a long shot if nothing else.

Terrifier 2: This horror sequel has kept fans of the first film happy and has elicited some legendary audience reactions already. Its nature as a horror film and a sequel will undoubtedly keep it out of any major conversation in the coming months of awards season, but this one merits mentioning simply for its shock factor and faithful follow-up to the original.

To Leslie: This indie drama about a former lottery starring Allison Janney and Andrea Risborough is based on a true story and has done well among critics in its limited release. It will most likely fly under most people’s radars and remain as a cult hit only, but it’s worth keeping an eye on.

Catherine Called Birdy: Amazon Prime Video’s genre-breaking period film from Lena Dunham starring Bella Ramsey of Game of Thrones and The Last of Us fame has done decently with critics and has audiences giving mixed responses (mostly due to its feminist message and Dunham’s questionably problematic nature). It’s worth checking out and remains a long shot for now.

Stars at Noon: Claire Denis’s latest work hasn’t wowed audiences or critics like some of her past works, but the romantic thriller starring Margaret Qualley and Joe Alwyn remains a long shot simply for its name recognition and star power.

The Good Nurse: Netflix’s chilling based-on-a-true-story film starring Jessica Chastain and Eddie Redmayne is very much a vehicle for strong performances from both actors. Its mixed reviews will probably keep it from rising much beyond a bubble awards film, but on the off chance that it makes a solid push, we’ll mention it here.

Call Jane: Yet another film this year on the topic of abortion throws its hat into the ring. This one is set in the U.S. before Roe and stars Elizabeth Banks and Sigourney Weaver in a film based on the true story of an underground group of women who sought to provide safe abortions in the late 1960s. It hasn’t gotten the most solid reviews, but its topical nature keeps it in the conversation.

Possible Things:

Triangle of Sadness: The Palme d’Or winner from Cannes this year finally got its theatrical release in the U.S. this past month. So far, its reviews have been tracking with those it received at festivals, keeping fans happy with Reuben Östlund’s work and critics mixed on the over-the-top nature of the film’s absurdities. Past success at festivals indicates this one will be worth keeping an eye on as award season ramps up in the coming months.

All Quiet on the Western Front: Edward Berger’s remake of the classic film has already been announced World War I film’s overwhelmingly positive reviews seem to indicate that it will be a frontrunner in that category and even a fringe possibility for Best Picture votes – definitely worth checking out on Netflix if you haven’t already.

The Redeem Team: The Netflix documentary about the 2008 U.S. Men’s Olympic basketball team has found success with both fans and critics. It exists in a fairly safe space among documentaries, focusing on well-known celebrities and a popular sport and could get the awards buzz needed to elevate it to a more permanent place among those docs.

Emily: Frances O’Connor’s Emily Brontë biopic/romance has kept its small audiences happy since its release in the middle of this past month. Emma Mackey has received praise for her portrayal of the titular character, and it’s definitely a film worth finding if you can in the coming months.

Till: The film portrayal of the tragic story of Emmett Till and his mother’s quest to get justice for her son has quickly risen to prominence as a vehicle for a career-defining performance from Danielle Deadwyler. Its historical depictions and modern relevance keeps it very much in the conversation going into awards season and beyond.

Decision to Leave: Park Chan-wook’s mystery/romance that released in the U.S. this past month was at one point the frontrunner in the Best International Film race but has slowed in momentum somewhat. Nevertheless, the film continues to wow audiences, consistent with Park’s other works and the films of South Korea from the past few years. Even if it gets no awards love, this will still be worth catching if you can.

All That Breathes: This documentary about two brothers seeking to ensure the survival of the Black Kite amidst the environmental struggles of Delhi has quickly risen to prominence among critics and some fans as well. The film’s very relevant messages about pollution and environmentalism make it a prime option for awards going into the season. This’ll be worth checking out when it hits streaming for sure.

Sure Things:

Tár: Todd Field’s film about the prolific composer-conductor Lydia Tár has audiences and critics alike thrilled with its filmmaking and acting. Cate Blanchett’s leading performance has her sitting at the top of most people’s best actress lists this year, and the film’s high-quality editing and unique pacing leave it as an unquestionably great film that will no doubt be discussed for years to come.

The Banshees of Inisherin: Martin McDonagh is back at it with the dynamic duo of Colin Farrell and Brendan Gleeson in this dark comedy about two friends who have fallen out of friendship on a small Irish island. The film’s beautiful location shooting, excellent acting, and well-balanced script have all been praised by fans and critics alike. Most of McDonagh’s works shouldn’t be skipped, but this has the potential to be his greatest film to date, potentially securing first-time Oscar nominations for all four of its leading performers.