The Killing
The Killing is a raw take on both Kubrick and film noir that does things that other films from the director and in the genre wouldn’t necessarily be expected to do, but it works refreshingly well and earns a spot among the greats as well.
Le Cercle Rouge
Jean-Pierre Melville has given audiences a heist film rife with metaphysical and existential questions, which still entertains even those looking for just another heist movie, which is a feat worthy of a place among the greats.