The Killing
The Killing is a raw take on both Kubrick and film noir that does things that other films from the director and in the genre wouldn’t necessarily be expected to do, but it works refreshingly well and earns a spot among the greats as well.
Full Metal Jacket
Iconic performances from Ermey and D’Onofrio carry a hard-hitting first act that transitions into the condemning look at the Vietnam war from the perspective of insiders that are the film’s final two acts, bringing the film together into a cohesive piece.