Weekend Watch - June 2024 Recap
Welcome back to the Weekend Watch where each week we take a look at a new piece of film or television media and give it a rating, review, and recommendation. This week, we’re looking back at the films released in the U.S. throughout the month of June, highlighting those most acclaimed by critics and audiences, putting them in a position to possibly make this blog’s list of the Greatest Films of All Time. You could also take these recaps as a way to find new films that you should check out that you may or may not have known about. As always, the films will be categorized based on their likelihood of making the blog’s list – Long Shots, Possible Things, and Sure Things – and we actually do have the year’s second Sure Thing that came out this month. June gave us one of the more promising slates of summer blockbusters in a while, delivering solid box office performances, strong reviews from critics and fans, and even a few indie releases that are also worth checking out, instigating what could be a cinematic resurgence for the back half of the year. Let’s get into it.
Long Shots:
Bad Boys: Ride or Die: The Bad Boys fourquel opened the month with a bang of a blockbuster, giving audiences what they’ve always loved about the previous films, and performing solidly at the box office for an R-rated film. Critics’ hesitancy to celebrate pure action comedy will undoubtedly continue to hold it back from actually making the all-time great list, but that shouldn’t stop you from seeing it.
I Used to Be Funny: After a limited festival run last year, the Rachel Sennott-led dramedy about a comedian suffering from PTSD is now widely available in the US, and it’s struck a solid chord with critics and even a generally favorable take from audiences. It will probably not be everyone’s cup of tea, but fans of the actress should have their craving for a new project sated.
Queendom: This SXSW documentary about a queer artist doing performance art in Moscow in defiance of Russia’s anti-LGBTQ laws is a full-on critical success, but a slew of what I can only assume to be Russian bots and homophobes review bombing it have left this film with dismal audience reviews (an increasing flaw in this blog’s system that I’m not really sure how to counteract). Awards love would go a long way in countering that narrative for this film, though.
Kinds of Kindness: Yorgos Lanthimos’s follow-up to his major critical success in last year's Poor Things does not carry quite the same weight with audiences or critics, proving much weirder and more divisive (I didn’t realize that was possible for Yorgos) now that it has a wide release. Fans of Yorgos and fans of Jesse Plemons have been enjoying certain aspects of it, but it’s not the universal hit that the director had last year.
Janet Planet: Annie Baker’s coming-of-age drama about a girl and her single mother in rural Massachusetts was made widely available in the U.S. this month, and critics seem to love it. Audiences have been more mixed, as is often the case with woman-led films (again, a flaw in the system), but it’s still generally positive, and if these types of stories are your thing, this’ll probably be right up your alley.
Humanist Vampire Seeking Consenting Suicidal Person: This French-Canadian dark comedy about exactly what its title implies became more widely available in the US this month, and looks to be one worth checking out, as both audiences and critics have been generally high on it. Expect this to end up more in the cult classic space than the all-time great space, but if it sounds like your brand, definitely check it out.
A Quiet Place: Day One: While it continues the downward trend of critical and audience responses that happened from the first to second film in its series, the positives in this film have garnered it a decent following with slightly above average reviews that keep it noteworthy. It’s certainly solid but doesn’t necessarily do anything new with its world or genre, so take it how you will.
Daddio: This hidden gem from last year’s TIFF is out now in theaters in the U.S., following Dakota Johnson as a woman taking a cab from JFK and conversing with her driver (Sean Penn) about their lives. It’s a fairly simple premise that probably won’t be everyone’s cup of tea, but it sounds like a film that’s been solidly executed if it is something that you’re looking for.
Possible Things:
Hit Man: Richard Linklater’s crime/romantic comedy starring Glen Powell and Adria Arjona landed on Netflix and continues its run of solid critical reception even as the audience reviews have become more mixed (apparently, some people still think that killing cops is a bad thing and can’t suspend disbelief for a film). Powell’s star-power and Linklater’s prestige give this film an outside chance to get the awards love it deserves that’ll elevate it to an all-time status.
Robot Dreams: Last year’s surprise Best Animated Feature nominee actually can finally be watched by everyone not in the Academy in the U.S. now. Now that its watch numbers are increasing, it does look like it’ll maintain its stellar reviews, but I want to hold off on giving it the full Sure Thing treatment in case the wider audience doesn’t love it as much.
The Bikeriders: One of the more highly anticipated films of last year and now this year finally made its way to theaters (and soon now to streaming apparently) with Austin Butler, Tom Hardy, and Jodie Comer portraying a semi-true story of a Midwest motorcycle gang. It sounds like the hype oversold the film with most reviews being just slightly above average for the most part, but it’s still better than a lot of films from this year.
Fancy Dance: Apple TV+’s latest partnership with Lily Gladstone again follows a Native American woman fighting to keep her family together when things start unraveling, and again, critics seem to really like this one. The audience scores haven’t been as high with no Scorsese attached to the director’s chair, but her name recognition might give this film the lift it needs come awards season.
Copa 71: The documentary about one of the first women’s world cups that seeks to legitimize the tournament and establish its place in history is now widely available in the U.S. Its subject matter and nature as a sports documentary have made it popular and give it a shot at making the all-time greats list.
I Am: Celine Dion: The Amazon documentary about Celine Dion and her struggles with Stiff Person Syndrome has landed successfully with both audiences and critics. Dion’s worldwide fame and acclaim certainly also help this film, and a small push from the Oscars could land this film among the all-time greats.
Thelma: One of the biggest surprises of the month is the action comedy starring June Squibb about a nonagenarian seeking revenge on a phone scammer. Overwhelmingly positive reviews from both audiences and critics make this one a film that everyone should see, especially with Squibb’s long-overdue leading performance getting the celebration it deserves.
Sure Thing:
Inside Out 2: The year’s first billion-dollar film has also struck the right chords with critics and audiences like its predecessor, earning stellar reviews for its animation, voice cast, and relatable themes. It’s not quite the tear-jerker that the first Inside Out was, but plenty of audiences have celebrated the film’s emotional connection, making it worth seeing.
