Weekend Watch - Magic Mike’s Last Dance
Welcome back to the Weekend Watch where each week we take a look at a new piece of film or television media and give it a rating, review, and recommendation. This week’s topic, as voted by the blog’s Instagram followers, is Magic Mike’s Last Dance, the third film in Steven Soderbergh’s trilogy starring Channing Tatum as the male stripper Mike Lane. In this final(?) installment, Tatum is joined by Salma Hayek, Jemelia George, Ayub Khan-Din, and Juliette Motamed as he travels to London to direct a dance show for a wealthy new business partner after the pandemic put an end to his furniture business. Let’s get into it.
Letter Grade: D+; it’s still watchable, but it misses on so many points that it’s hard to see its merit.
Should you Watch This Film? If you are a fan of Channing Tatum and/or Salma Hayek, there’s enough from both of them in this to warrant giving it a watch, just maybe not on the big screen.
Why?
Magic Mike’s Last Dance goes away from Soderbergh’s formula for third films of getting the band back together for one final show and instead chooses to focus almost exclusively on the character of Mike and also Salma Hayek’s Max. Former audience favorites Joe Manganiello, Matt Bomer, Adam Rodriguez, and Kevin Nash only appear in a brief video chat cameo that serves as an explanation for why Mike has taken his job in London – to make the money he needs to pay his friends back. Otherwise, all the dancers and other important players are entirely new to the franchise, giving it that odd feeling of a television show that got cancelled on cable but renewed on streaming and lost some of its magic and actors in the transition.
If the missing favorites were the only issue, I think Last Dance would still be a solid film. Unfortunately, its story also leaves a bit to be desired, following through on a moniker given to Salma Hayek’s Max – the film truly is the “Queen of the First Act”. It starts strong with a fun meet-cute between Mike and Max, followed up with a steamy dance from the two performers and a hasty throwing of Mike into Max’s complicated life in London. The first act keeps you on your toes and hoping for something original and fulfilling that the rest of the film never fully delivers on. The second act is devoted to Mike’s and Max’s constant tweaking of the show they are working on and a fairly tension-less flirtation between the two as they struggle to keep their relationship strictly professional. The final act does bring the story home with plenty of dances in all styles, including an emotional dramatic wet dance from Tatum as a way to express his feelings for Max on stage, but the show ultimately feels a little underwhelming because of the lack of story and abundance of montages that it builds on. It entertains with the performers’ and filmmakers’ technical skills – excellently choreographed and filmed – but never really gives you that oomph that you want from what could have been an emotionally charged romantic third act with a better foundation.
The great choreography and solid cinematography that we’ve come to expect from the Magic Mike franchise are there in his Last Dance, but it’s definitely missing its lovable side characters and any kind of solid story that could make it a better film. Will it make an audience of middle-aged women happy? Probably so, if my theater from last night is any indication. Is it going to be on anyone’s lists of best films of 2023? I certainly doubt it. It’s currently available in theaters if you want to see Channing Tatum dancing on the big screen; otherwise, I’d suggest waiting until it hits streaming to catch this one.
