Welcome back to the Weekend Watch where each week we take a look at a new piece of film or television media and give it a rating, review, and recommendation. This week’s topic, as voted by the blog’s Instagram followers, is the Nic Cage, Awkwafina, and Nicholas Hoult starring action/comedy/horror film, Renfield, which opened in theaters nationwide this weekend. The film also features a supporting cast of Ben Schwartz, Shohreh Aghdashloo, Brandon Scott Jones, Camille Chen, and Adrian Martinez as it tells a modern story of Dracula and his titular familiar Renfield. Let’s get into it.

Letter Grade: C; this film delivers on all the levels that a bad action comedy should; it just struggles in most other areas.

Should you Watch This Film? Maybe: Nic Cage fans will be happy with his performance, and people who enjoy an excessively gory action/comedy will have that itch scratched. I don’t know that it’s a must-see in theaters for anyone though.

Why?

                Renfield’s highs are honestly surprisingly high, while its lows are almost abysmally low. It’s got a few performances that have really sold out to their roles, delivering wildly memorable performances, and some really fun and creative violent action sequences that almost look like something out of Deadpool or (for those who will get the reference) Happy Tree Friends with their levels of insanity and cartoonish gore. On the flip side, the writing – especially the “inspirational” moments – comes across as aggressively cringey in most scenes, and the comedy only hits about half the time if you haven’t been drinking excessively before you come in (speaking for the group of guys in front of me at the theater who laughed late and loud at just about every joke, no matter how small). So really, your enjoyment of Renfield depends entirely on what you walk into the movie looking for.

                Performance-wise, there’s a few worth noting in this film who took some mediocre writing and turned it into solid acting. Nicholas Hoult as the titular anti-hero (at least in this iteration) does what the script requires and delivers yet another solid man-who-has-never-fully-expressed-his-emotions-before-and-is-now-on-a-journey-of-self-discovery performance to add to his repertoire (see Warm Bodies, X-Men: First Class, and Mad Max: Fury Road for more examples). Awkwafina’s Officer Rebecca Quincy is given a lot of expository dialogue, hampering her character somewhat, but she fully delivers on every single comedic line she’s given, quickly becoming a crowd favorite as the film progresses. Ben Schwartz is once again playing a slightly eviler Jean-Ralphio Saperstein, and since he’s lived in this lane for so long, it makes sense to see him play the skeevy son of a crime boss in his side villain role as Ted Lobo. Brandon Scott Jones gets to have maybe the most fun in the film, playing the sponsor of the codependent relationship support group that Renfield attends, Mark, as the comedic MVP of the film, playing just the cheesiest version of a group sponsor you could possibly imagine – so out of place but so great in the midst of this otherwise dark comedy. Really though, the best performance in this film is given by Nicolas Cage as Dracula. He benefits from some great makeup work, but even without it, his acting would speak for itself as he brings just the right blend of menace, cruelty, and aloofness to the world’s most famous vampire. It’s his performance that truly elevates the film from generic to memorable, making it worth watching in my book.

                All of those performances shone in the film despite its regrettably by-the-numbers plot and often cheesy dialogue. Sometimes the cheese worked with the film, edging it closer to the campy vibe that it goes for – especially with its opening homage to the classic 1930s Dracula, which starts you down a road that never really reaches that desired destination. Unfortunately, most of the cheese feels more forced than organic and serves to take you out of the experience rather than getting you to laugh along with it. Bringing the writing down another notch is its simple and predictable plot that feels like it could have been so much better with just a few tweaks here or there. For the most part, the plot feels like a device to move the audience from one fun action set piece to another, but those moments in between feel so familiar and generic that the film loses a lot of its flair in those moments. Hints at werewolves that never actually come to fruition, vague explanations of Rebecca’s dad being a hero cop that never receive any fleshing out, and middling emotional beats that don’t do anything to actually develop the characters are all points that could have been improved with a few extra rewrites and elevated this film from mostly generic to a true standout.

                Renfield delivers the memorable Dracula performance that you want from Nic Cage, some decently comedic moments, and really fun action sequences in the midst of an otherwise generic story and at-times cringe-worthy script, making it a bad action film at best. If that’s all you’re looking for, I can basically guarantee that you’ll have a good time. If you wanted an iconic horror-comedy with just the right blend of camp and gore, this’ll probably leave you a little bit disappointed. At the end of the day, it’s all about what you want out of the experience and what you go in expecting.