Weekend Watch - Blue Beetle
A simple and too-familiar plot, along with some inconsistent visual effects, hold the film back from being an instant classic, but engaging and relevant themes and a cast that play their roles brilliantly help make Blue Beetle a passable and enjoyable introduction to a new hero and a new era of the DC Universe.
Welcome back to the Weekend Watch where each week we take a look at a new piece of film or television media and give it a rating and review. This week’s topic, as voted by the blog’s Instagram followers, is Blue Beetle, the latest origin story from the DC Universe of comic book films. The film stars Xolo Maridueña as the titular hero, Jaime Reyes, joined by his family – Damián Alcázar, George Lopez, Adriana Barraza, Belissa Escobedo, and Elpidia Carrillo – and love interest Jenny Kord, played by Bruna Marquezine, against the villains Victoria Kord (Susan Sarandon) and Carapax (Raoul Max Trujillo). The film serves as the first unofficial entry in the new reboot of the DC Universe, now helmed by James Gunn and Peter Safran. Let’s get into it.
Letter Grade: B+; it’s a fairly formulaic story, but the film uses that to explore new themes and fun characters in the process.
Review:
Blue Beetle plays it safe with the familiar superhero origin story, complete with the evil version of the hero, comedic test-run of the hero’s new powers, and a shady corporation after the hero for his powers. Within that formulaic story, though, the filmmakers explore new themes, thanks in large part to the Latino hero and his family. The film features strong – and well-crafted – Latino representation, something that has up to this point been mostly sidelined in mainstream superhero films, and in that, it gets to dive into themes of immigration, microaggressions, American exploitation of Latin America and Latin American immigrants, and the privatization and militarization of police. It’s a surprisingly deep well of thematic elements to draw on and play into for a superhero origin film, but those themes are what keep it afloat and set it apart even as its plot and some of its visuals leave something to be desired.
Blue Beetle’s other primary highlight comes in the form of its stellar cast. No one feels out of place, and each performance brings something fresh and fun to the film, keeping it light even as it delves into some heavier material underneath. Maridueña is a natural as the leading man, stepping into the role of Jaime Reyes with just the right blend of cool and hesitancy. His performance helps sell the audience on the character and sets the whole franchise up for future success on his charisma. Each member of the Reyes family also brings their own flair to the film, providing the film with the heart that it needs to connect with the audience. Marquezine gets to have some fun in her ample role as the love interest and unintentional catalyst for Jaime/Blue Beetle, serving as more than just a damsel in distress or a quest giver – giving a solid performance across from some of the film’s biggest powerhouses (Sarandon and Lopez) in most of her scenes. I don’t know that you could have cast a better villain than Susan Sarandon in this iteration of Victoria Kord. She plays entitled white woman, rich billionaire, and military industrial capitalist in such a loathsome way throughout the film, making her one of the simpler villains that we’ve seen in recent comic book films, but also the easiest to root against.
A simple and too-familiar plot, along with some inconsistent visual effects, hold the film back from being an instant classic, but engaging and relevant themes and a cast that play their roles brilliantly help make Blue Beetle a passable and enjoyable introduction to a new hero and a new era of the DC Universe. The new universe feels like it’s headed in a fun and engaging, if a bit too safe, direction, and I look forward to seeing more of Jaime Reyes and his supporting cast in the future films from the movie studio.
Weekend Watch - She-Hulk: Attorney at Law Episode 1
She-Hulk: Attorney at Law’s first episode sets the tone for a solid superhero origin story featuring a mix of likable original characters and familiar MCU favorites with some quality topical comedic writing thrown in to top it all off.
Welcome back to the Weekend Watch, where each week we take a look at a new piece of film or television media and give it a review and recommendation. This week’s Watch, chosen by votes on the Instagram account, is about the new MCU Disney+ show She-Hulk: Attorney at Law whose first episode dropped this week and will run for another eight weeks on the streaming service. It stars Tatiana Maslany as Jennifer Walters/She-Hulk as well as featuring Mark Ruffalo, Ginger Gonzaga, Jameela Jamil, and Steve Coulter. Future episodes are also supposed to feature Tim Roth, Charlie Cox, Benedict Wong, Josh Segarra, and Griffin Matthews. The show follows the origins of She-Hulk and Jennifer’s efforts to maintain a normal professional and social life as she gains these new powers; let’s get into the review.
Letter Grade: A-; for what is essentially a pilot episode, this might be one of the MCU’s best so far.
Should you Watch This Show? I’m gonna say yes. This show feels like it has a lot of potential to take its characters in fun directions and it feels worth checking out.
Why?
This first episode of She-Hulk: Attorney at Law serves as the hero’s origin story. It starts as Jennifer is prepping her closing arguments for a case against some powerful individual. She then breaks the fourth wall (as the character often does in the comics) to cut and acknowledge that she is in fact a “Hulk” and then goes into the back-story. The origin involves a trip with her cousin Bruce Banner where she becomes a Hulk and then a long training journey where he teaches her how to be a Hulk. Along the way, we get a lot of development of both characters, delving deeper into Bruce’s connections to Tony Stark and Steve Rogers in some fun and even briefly emotional ways. At the same time, we see a little bit of what makes Jennifer tick, learning about her love for her job and her hesitancy to become a superhero in spite of her new powers. The threads that are set up in the flashback provide some nuggets for strong character development as the show goes forward. The CGI, which was a problem for many when the show’s trailers first dropped, has been touched up surprisingly well, especially for a T.V. show on a streaming service. It’s by no means perfect or “movie-quality” but it’s better than most of the other MCU shows for sure. I have seen people complaining about Maslany’s characterization of Jennifer and She-Hulk as too abrasive or “feminista” or whatever, comparing her to Brie Larson’s Captain Marvel/Carol Danvers, and I cannot disagree more. Yes, she has some talking points that should be expected in a show featuring a female superhero (only the fourth Marvel project to do so in a solo endeavor, I might add), but the character is legitimately funny and doesn’t feel overconfident or disingenuous at all to me. She is a New York attorney whose job is prosecuting powerful people (maybe even superpowered people), confidence and an ability to adapt on the fly are incredibly necessary in that world. I will also say, the show’s comedy harkens back to some of the more classic MCU days in a way that is highly reminiscent of the Iron Man franchise and even the first Avengers, and I didn’t hate it. In fact, this episode’s post-credits scene might be the best that Marvel has ever done, in terms of comedy; I was dying laughing when it went to black. Overall, She-Hulk: Attorney at Law’s first episode sets the tone for a solid superhero origin story featuring a mix of likable original characters and familiar MCU favorites with some quality topical comedic writing thrown in to top it all off. I’m excited to see where the rest of the show goes. Follow it as it releases each week on Thursdays on Disney+.