The Triplets of Belleville
Artistically, The Triplets of Belleville is certainly a triumph with plenty of unique art and pleasing audio callbacks to bygone eras to be deserving of its spot among the greats.
The Producers
Zero Mostel and Gene Wilder provide the proper leading performances to bolster the brilliant satire of Mel Brooks in The Producers, cementing the film’s place among the Greatest Films of All Time.
As Good as It Gets
An amazing trio of performances from Nicholson, Hunt, and Kinnear carry the film and its message in As Good as It Gets, selling the romance, comedy, and drama that the film needed to earn a place among the greats.
To Be or Not to Be
To Be or Not to Be is a uniquely fun screwball comedy that handles its subject matter well with plenty of irreverent laughter without ever actually stepping into the realm of making light of the struggles of others, earning a clear spot among the Greatest Films of All Time as it does so.
The Farewell
The Farewell is one of those films that requires its audience to cast aside all their preconceptions and approach a story with an open mind, resulting in one of the most rewarding cinematic experiences I’ve had in a long time, and it certainly deserves its spot among the Greatest Films of All Time.
I Vitelloni
For me, the stories told in I Vitelloni present a universally relatable look at young adulthood and the changes that the world forces on us, offering the best and worst ways to handle those changes, which certainly earns it a spot among the all-time greats.
The Odd Couple
The script and actors in The Odd Couple have done a phenomenal job of playing with audience expectations about comedy and comic archetypes, giving us a refreshingly original take on the buddy comedy in the process that deserves a place among the Greatest Films of All Time.
The Descendants
Thanks to the standout cast, led by George Clooney, and a rich script full of character, theme, and story, The Descendants manages to take its premise of a film about grief in paradise and turn it into a film worthy of a place among the greats.
This Is Spinal Tap
This Is Spinal Tap is the perfect mockumentary – self-aware, intelligent, hilarious, and authentic in its message – and it stands the test of time in both its portrayal of the music industry and in its many bits of humor, earning it an irrefutable place among the Greatest Films of All Time.
Swing Time
Swing Time is really a fun, if a bit simple, musical romantic comedy that hits all the right notes along with a few of the wrong ones on the path to cinematic greatness, bolstered by its two charismatic and compatible leads.
I, Tonya
Bolstered by a message that goes beyond the negative effects of sex, drugs, and rock and roll and by a leading cast that collectively give some of the best performances of their careers, I, Tonya is elevated above the typical biopic fare to be a film that fully deserves a place among the Greatest Films of All Time.
A Raisin in the Sun
With brilliant central performances that expand upon the themes of the film itself, A Raisin in the Sun elevates the content of the play upon which it’s based to earn a spot among the Greatest Films of All Time.
Are You There God? It’s Me, Margaret.
The combination of Blume’s universal story and strong acting from Abby Ryder Fortson, Rachel McAdams, and Kathy Bates makes Are You There God? It’s Me, Margaret. an instant success and a film worthy of a place among the greats.
Rye Lane
Raine Allen-Miller has crafted Rye Lane as one of the most original and endearing romantic comedies of all time, bolstered by a solid leading man in David Jonsson and an unforgettable leading lady in Vivian Oparah, all of which culminate in a film fully worthy of its place among the Greatest Films of All Time.
BlackBerry
Jay Baruchel and Glenn Howerton shine as the leads in BlackBerry, giving contrasting performances that elevate its historic tale to levels of dramedy excellence, earning the film a place among the greats.
Crimes and Misdemeanors
Compelling performances from an ensemble cast help turn what could be a disjointed story of two different tones into a cohesive and engaging piece of film in Crimes and Misdemeanors, earning it a spot among the greats.
Love and Death
The way that Woody Allen interposes his own style within the world and expectations of Russian period dramas and the other influences of Eastern Europe feels so seamless and hilarious that the placement of Love and Death among the Greatest Films of All Time feels more fitting than just about any other film from the writer/director.