A Clockwork Orange
A Clockwork Orange is this rich warning of the potential ills of a society that abandons its young people, headed by a stellar performance by its villain and protagonist Malcolm McDowell as Alex, more than deserving of recognition for greatness.
Strangers on a Train
A rich tapestry of social themes and strong performances from the film’s leading men make it a film worth watching and one worthy of a place among the greats.
Guillermo del Toro’s Pinocchio
Guillermo del Toro’s Pinocchio is ultimately a triumph of both the animation craft and of storytelling, though, more than deserving of a place among the greats.
The Killing
The Killing is a raw take on both Kubrick and film noir that does things that other films from the director and in the genre wouldn’t necessarily be expected to do, but it works refreshingly well and earns a spot among the greats as well.
Elevator to the Gallows
In Elevator to the Gallows, Louis Malle combines crime thriller with the comedy of errors to give us an entirely new take on what crime films can be, elevated even more by some excellent filmmaking and a beautiful jazz score from Miles Davis, all of which work together to earn it a spot among the greats.
Children of Men
With Children of Men, we are given a truly immersive sci-fi action experience, expertly crafted by Alfonso Cuarón to draw the audience in and then give them a heaping helping of thematic elements alongside the typical fare we’ve come to expect from such dystopic films, earning it a guaranteed place among the Greatest Films of All Time.
A Place in the Sun
Ultimately, A Place in the Sun is an inconsistent film, carried by strong leading performances bolstered by some interesting social commentaries that end up falling short of their potential due to the norms and mores of the era.
My Life as a Zucchini
My Life as a Zucchini brilliantly portrays its coming-of-age story with stellar writing and strikingly unique animation, earning a spot among the greats along the way.
Pride & Prejudice
I could talk in circles about the brilliance of Pride & Prejudice for days, but suffice it to say that it’s one of the most complete romance movies ever made, excelling in every aspect, fully deserving of a place among the Greatest Films of All Time.
The Sweet Hereafter
Atom Egoyan’s The Sweet Hereafter tells audiences a cohesive and compelling story of grief and the ways that humans seek to deal with it, showcased in every aspect of the film, which work together to make something worth a spot among the greats.
Frankenstein
Frankenstein offers a near-perfect look at the genre of sci-fi/horror, giving the audience plenty to ruminate on while also providing sheer entertainment in the form of iconic characters, visuals, and locales, earning the film a place of greatness.
Can You Ever Forgive Me?
The strong leading performances from Melissa McCarthy and Richard E. Grant are bolstered by a well-written script and solid direction from Marielle Heller to make Can You Ever Forgive Me? into a refreshingly unique and excellent take on the biopic, earning it a spot among the Greatest Films of All Time.
Beauty and the Beast (1946)
Jean Cocteau’s Beauty and the Beast offers a familiar but fresh take on the timeless fairy tale, delivering production excellence and compelling character arcs that earn the film a place among the Greatest Films of All Time.
The Nun’s Story
Between Audrey Hepburn’s strong leading character study and the thematically appropriate cinematography, The Nun’s Story captures something about an era of film that deserves a place among the greats.
Spider-Man 2
The visuals and story of Spider-Man 2, highlighted by iconic moments, an unforgettable villain, and a compelling arc for Peter coming to terms with his role as both person and superhero, make the film not just one of the best superhero films of all time but simply one of the Greatest Films of All Time.
The Descendants
Thanks to the standout cast, led by George Clooney, and a rich script full of character, theme, and story, The Descendants manages to take its premise of a film about grief in paradise and turn it into a film worthy of a place among the greats.
The Constant Gardener
Carried by its two leading performers, The Constant Gardener supplies us with a compelling look at government and pharmaceutical corruption and exploitation that maintains its watchability primarily through Weisz and Fiennes, who earn it a spot among the greats.
Reversal of Fortune
The leading performances of Reversal of Fortune are what have earned it a place among the all-time greats, but none stand taller than Jeremy Irons’s Oscar-winning portrayal of Claus von Bülow, which keeps the audience guessing and almost rooting against the narrative at every turn while staying fully hooked into how it’ll all play out.