Pain and Glory
Pedro Almodóvar’s self-reflective auto-fiction film, Pain and Glory, earns a position among the greats thanks to excellence across the board; from story to themes to acting, it offers some of the best examples of filmmaking of the century so far.
The Spirit of the Beehive
Erice’s tactful breakdown of fascist ideals and culture in The Spirit of the Beehive takes this film from being just a charming, if tragic, coming-of-age tale and makes it into something great, an critique of a modern political regime against the backdrop of a charming, if tragic, coming-of-age tale.
Parallel Mothers
The story that Almodóvar places at the heart of Parallel Mothers is powered by his two leads – Cruz and Smit – and serves to enrapture the audience in such a way that the film’s place among the Greatest Films of All Time is undeniable.